måndag, maj 16, 2022

Eurovision 2022--The ESC Hangover Edition and Radio Free Järbo Awards


 It's all over now, and we have to wait another year, or so, for Eurovision to come around again.  With the Olympics, it's kind of a relief when it's all done.  Not so much with Eurovision--well except maybe for the endless process of the voting "parade of nations."   

Our Hangover Edition's Radio Free Järbo Awards


Best Looking Man

🇵🇱Poland
We were big fans of Ochman both in the looks and singing departments.  We were also taken by his very humble demeanour.  Not sure why Europe is so against anything that resembles an operatic voice, even when doing a pop song.  

Runner up:  Martin Österdahl, head of the ESC for the EBU, who can certify my votes any day of the week.  


Best Official Video

🇲🇩Moldova
These guys always seem to be having a lot of fun.  Wouldn't you just love to spend an afternoon in a bar with them?   If you haven't seen it, you really need to watch it.

Best Production Number

🇪🇸Spain
We did not like the song very much, but then again, she didn't really need it with all of that choreography.  Many commentators were saying how amazed they were that she could sing while doing those bends, twists, turns, and lifts.  I was amazed that she should do it all with that bejewelled thong up her crack.  

Best Dressed

🇱🇹Lithuania
I was, apparently, one of the few people who liked the song--a lot more live than her video.  And no one had a better dress, even if others were better coiffed.  Gunnar says, "She just needed Mo and Curly as her back up singers."

Worst Dressed

🇦🇱Albania

She is a beautiful woman, but this outfit just didn't work.  But then again, her male dancers were among the "Best Undressed." 

🇬🇧Runner up:  United Kingdom.  We all knew why Armenia was in her pyjamas, but why was the UK in in a grown up version of his son's?  


Best Song Not to Make It Out of the Semi-Finals

🇭🇷Croatia
While the song was too sweet to be much of a "guilty pleasure" itself, it certainly was better than the votes given to it during the semi-finals.  Really Europe.  

🇧🇬Runner up:  Bulgaria.

Most Ironic Lyrics

🇬🇷Greece
Amanda, as you will recall, is in the last days of training as a doctor in Norway, so we found it ironic she picked just that song.  I am not sure that I would want to go to doctor who was in Eurovision singing the song "Die Together."  (But then again, I live in Canada where we have no doctors, so I still might go to her, but that's a different kind of problem.)


söndag, maj 08, 2022

Radio Free Järbo's Eurovision 2022 Commentary

 


Here is the round up of our opinion of all of the Eurovision 2022 entries.  We listened to the official videos for each entry as the basis of our highly qualified opinions.  If you disagree, then you’re just wrong.  It will be interesting to see how each of the participants does on the big stage itself.  An asterisk (*) indicates our Top 10, even though there may not be 10 of them.  


🇦🇱Albania

Ronela Hajati “Sekret”

I like the music from the Balkans with (what we think of as) its Eastern rhythms.  This song uses them effectively, as it does the catchy beat.  But overall, the song is a bit of a hot mess, not even saved by the hot guy in the pretty bazaar video. 


🇦🇲Armenia*

Rosa Linn “Snap”

This is a fun, bouncy little pop song, sung by an artist with a nice voice.  Even Gunnar liked it.  Neither of us felt that the Wizard of Oz inspired video did much for the song, and maybe even detracted from its pleasing simplicity.  


🇦🇺Australia*

Sheldon Riley “Not The Same”

Sheldon has the kind of voice that really makes you stop and listen to the words.  The meaning of the song is clear and very powerful, even if it is musically a little messy in places.  Australia has sent a good one.  


🇦🇹Austria

LUM!X feat. Pia Maria “Halo”

I pretty much hated it from the first note.  Every now and then it sounds like it just might actually break into a nice dance song, but then it disappoints and turns crappy again.  Gunnar  says, this shows the problem with “Abba English” lyrics, as “even the Australians” can do better.  Other than the snub to Australians, I agree.


🇦🇿Azerbaijan 

Nadir Rustamli “Fade To Black”

I kind of liked this nice ballad that Nadir signs well.  There is a certain amount of “we’ve heard this before” with the lyrics and music that Nadir manages overcome, at least to some degree.  “And he’s cute,” says Gunnar.  


🇧🇪Belgium* 

Jérémie Makiese “Miss You”

I love this song.  It grabs you from the very first moment Jérémie starts to sing and doesn’t let you go until the very last note.  Maybe even longer.  Great jazzy, bluesy, R&B vibe with a strong heart beat throughout.  It’s the complete package.  Gunnar says, “I think they sent a winner.”


🇧🇬Bulgaria

Intelligent Music Project “Intention”

I was hoping there would be a really good rock ballad this year.  I’m not sure this is it, even if it has a some good points.  The drummer is outstanding, as is the guitarist, but the signer isn’t the greatest.  A fun listen, nonetheless.  


🇭🇷Croatia

Mia Dimšić “Guilty Pleasure”

We liked that the song is simple and it suits her voice well.  The lyrics are intelligible, although I wish she would take more time to enunciate them a little better.  Twelve points (douze points) for the dancer in the video who stole the show.


🇨🇾Cyprus

Andromache “Ela”

Even though I could not stop tapping my foot to the catchy beat, when it was done, I turned to Gunnar and said, “Haven’t we heard this before?”  He said, “I think.”  No, we hadn’t actually heard this song before, but it just sounds like we have.   Luckily, they’ll have the traditional 12 points from Greece.


🇨🇿Czech Republic

We Are Domi “Lights Off”

I kind of like this song, with its great beat that you can get up and dance to.  “It’s a successful song,” says Gunnar.  The video makes no sense, but that’s OK.  The song does.  


🇩🇰Denmark

REDDI  “The Show”

What was I saying about a good rock ballad?  I really liked the beginning of the song, and was surprised when it morphed into a great rock song.  The energy in the song is infectious and made us smile.  Gunnar thought the lyrics were a little too repetitious and could have been used better to tell the story, with which I agree, even though I liked the concept of “the show.”  We both hope they do well.  


🇪🇪Estonia 

Stefan “Hope”

I kind of like the song, and then again, I kind of don’t.  I’m not sure what the video and the lyrics have to do with each other, even if the video was produced well, and it might be that the watching the video has taken away from what the song really is about.  Interesting music and beat, I guess.


🇫🇮Finland

The Rasmus “Jezebel”

When Finland rocks, it rocks.  I thought the song was fun and liked the concept.  But I found its musical construction a little off-putting.  Gunnar says, “Finnish charm playing tigers.”  He would like to see less theatre and more honesty, although the theatre may have been in the video and not the song itself.  


🇫🇷France

Alvan & Ahez  “Fulenn”

Gunnar says, “It’s a train wreck; it’s awful, but you can’t take your eyes off it.”  I wished it was as pleasing as a train wreck; especially after the sublime submission France sent last year.  Even the cute guy can’t salvage it.  France should embrace the influences from the North African community that enrich its culture, but maybe not quite in this way.  Too bad, because Breton, the language of the song, has very few speakers and should be preserved.  


🇬🇪Georgia

Circus Mircus “Lock Me In”

Gunnar said, “They didn’t use their full three minutes?”  I replied, “No, thank God.”  The song is different, yes, and has a catchy beat, for sure.  But I kept waiting for it to turn into something I could tolerate.  It just didn’t.  


🇩🇪Germany*

Malik Harris “Rockstars”

It’s funny.  The song starts and I was thinking, ‘we’ve heard this before,’ but Malik’s sincerity makes you continue to listen.  While not a fan of rap in the middle of a song (either rap the whole thing or not at all), it works here, largely because of the moving message of the lyrics.  Gunnar even liked it.  


🇬🇷Greece

Amanda Georgiadi Tenfjord “Die Together”

We are not quite sure what to think.  I like her voice, but don’t like the phrasing she uses, especially in the beginning.  The song builds throughout, which it needs to do to convey its message.  I think it is trying to be hopeful, but is still a bit of a downer.  Gunnar thinks the lyricist needs psychological help.  I say, after these past two years, we all do.  


🇮🇸Iceland

Systur “Með Hækkandi Sól”

These are three good singers, with voices that blend perfectly with spot on harmonies.  The song itself is not your usual Eurovision fare.  Still, I didn’t love it.  Gunnar thinks it won’t get a lot of votes.  


🇮🇪Ireland 

Brooke “That’s Rich”

Ireland decided they were sick of sending great songs that no one voted for, so this year they’ve decided to send total crap to see if they get votes.  To this end, someone decided to put banal lyrics to a rejected Erasure backing track and call it “new.”  Whatever.


🇮🇱Israel

Michael Ben David  “I.M”

Michael is so charming and fun to watch in the video, with all of his great facial expressions, that you overlook the fact that the song—meaningful message and all—is still just one really big hot mess.  


🇮🇹Italy 

Mahmood & Blanco “Brividi”

Well, this is certainly quite different from last year’s submission from Italy, isn’t it?  It is a typical Italian ballad in many ways.  Of course, you have to work at it to make Italian sound anything but captivating when sung (with which Måneskin succeeded).  I like both voices whether singing independently or when together.  Gunnar says this showcases Mahmood’s voice better than his earlier Eurovision entry “Soldi.” 


🇱🇻Latvia

Citi Zēni “Eat Your Salad”

Did Latvia send to Eurovision a song written for a children’s show about the benefits of being vegan?  That’s how this super high energy song comes across, except for the part about being green being sexy, which wouldn’t be appropriate for young children.  And yet, I can’t hate it, much as it left me scratching my head in wonder.


🇱🇹Lithuania 

Monika Liu “Sentimentai”

I kind of like Monika’s voice and really like the style of music.  But something about this number just doesn’t work for me; it just doesn’t seem to pull together in the end.  


🇲🇹Malta*

Emma Muscat  “I Am What I Am”

We think Malta has good taste in its entries.  We really liked this song that put a smile on our faces.  Could you call it trite?  Maybe.  But it still makes you smile, and its positive message can’t be overdone, especially at Eurovision


🇲🇩Moldova: 

Zdob şi Zdub & Frații Advahov  “Trenulețul”

It’s too bad there isn’t a prize for best video, because the brilliant official video for this song is really very funny and charming.  The song itself needs the video, we think.  If they can take all of the energy in the video onto the stage in Torino, they’ll have a chance, though.  


🇲🇪Montenegro

Vladana “Breathe”

Vladana has a great voice, and sings in the tradition of the better Balkan entries, where they know how to sing out a ballad.  But I think the song itself is just OK.  Gunnar says that he respects that they continue to send entries that are true to themselves and their musical traditions.  I agree. 

 

🇳🇱Netherlands 

S10  “De Diepte”

We liked this interesting song, which matches her voice perfectly.  The mood the music sets is haunting and captivating, even if you don’t speak the language of the lyrics.  It should do well.


🇲🇰North Macedonia

Andreas “Circles”

Andreas has got a really good voice with good depth and she delivers this decent song well.  It won’t win but will add to a good show.  The compelling video was really simple and allowed her to just carry the song. Gunnar kind of liked it.  North Macedonia has high standards for its entries, and this is no exception.   


🇳🇴Norway 

Subwoolfer “Give That Wolf A Banana”

I’m a little speechless.  Either Norway has gone completely “bananas” or this is a practical joke in order to take the major piss at Eurovision.  Yes, the beat is catchy, and is a bit slick.  And look, I always say that I want something different.  But while others are raving, I’m not sure I like it, even as satire.  I prefer substance over gimmicks.  


🇵🇱Poland*

Krystian Ochman  “River”

This is just the kind of song we needed after listening to Norway.  As a trained singer (now there’s a concept) Krystian has a gorgeous, strong voice that he can control.  (And he is as easy on the eyes as he is on the ears, but we digress.)  Really powerful and enjoyable.  


🇵🇹Portugal

MARO “Saudade Saudade”

The beauty of this song is in its simplicity and the quality of the harmonies when they all sing together.  The lead singer, unfortunately, is quite weak.  


🇷🇴Romania

WRS “Llámame”

It takes skill to sing a Latin dance song so poorly that I absolutely hate it, and here, they have done it.  His stage presence ruined the song, which is pretty bad itself, actually.  Even the quasi-hunky dancers in all but see through tops couldn’t save the risible production number.


🇸🇲San Marino

Achille Lauro “Stripper”

My vote:  Keep your clothes on and your mouth shut.  Gunnar: San Marino should have saved their money.  


🇷🇸Serbia

Konstrakta “In Corpore Sano”

I’m sure this song means something significant to the Serbians, but even reading the English lyrics, it was indecipherable.   Too bad the melody isn’t very pleasant to listen to, because it would make up for the total miss on the words.


🇸🇮Slovenia 

LPS “Disko”

Here’s the thing:  The song is catchy and the backing musicians are wonderful.  The problem is that the lead singer can’t carry it.  Let’s hope he has been practicing his stage presence and has been getting vocal coaching leading up to Eurovision.  Then it could be really fun.  


🇪🇸Spain

Chanel “SloMo”

Before playing this for the first time, I said to Gunnar that the entry from Spain is either “Stop going to Eurovision!” or  “They can do it if they try!”  This is the former.  Calling it vapidly without substance is about the highest praise I can give it.  Gunnar says “Formulaic and cheap, and I mean cheap in all ways.”  I say, formulaic is probably giving it too much credit.  


🇸🇪Sweden

Cornelia Jakobs “Hold Me Closer”

As much as I like the raspiness of her voice, there is just something missing from the whole package here.  For one thing, I would have her hold the microphone further from her mouth.  The song itself is pleasing enough, but not a knockout compared to many of the other songs here.


🇨🇭Switzerland*

Marius Bear “Boys Do Cry”

I really like the 50’s style beat of this song, with it’s hint of blues in it.  Marius has the perfect voice to pull it off as well.  The whole package really works here.  I loved its charm.


🇺🇦Ukraine

Kalush Orchestra “Stefania”

The people on the stage performing the number had more fun with it than I did.  Gunnar said, “Great dance party, but…”. It’s OK to mix musical styles, but it doesn’t work here.  


🇬🇧United Kingdom*

Sam Ryder “SPACE MAN”

It almost doesn’t matter what we say about this song; no one in Europe is going to vote for it.  The UK is last alphabetically, and often last in points.  The video was clever and fun, so it will be interesting to see what he does on stage to replicate the experience of it. That said, I like the song a lot.  It deserves some points people, so keep that in mind, OK?

lördag, mars 12, 2022

Live Blogging from Melodifestivalen 2022

 Here we go!

Pay close attention people.  Our expert opinions won't let you down!

Gunnar:  They don't believe in social distancing in Sweden.  

DJ David:  What is Klara wearing????!!!

Klara Hammarström

What does the crazy outfit have to do with the song?  RuPaul just said she wants those shoes.  She sang the hell out of it but, it's kind of a boring song with a catchy beat.

Theoz

Is he even old enough to be out this late?  The song has really nice energy but isn't really very original.  

Anna Bergendahl

I like her voice.  The so-so song let her down, but the tanning booth didn't. 

John Lundvik

Pretty song.  

Tone Sekelius

A high point for human rights for which Sweden should be very proud.  Give her a better song next time.  

Anders Bagge

Big voice. Big heart.  Miniscule song.

Robin Bengtsson

"Take a little sip of the ocean?"  Doesn't he know it's a bit salty?

What the song lacks in depth, he makes up for in energy and stage presence.  

Faith Kakembo

We like it and LOVE her.  She performed the hell out of it.  And she doesn't need a lot of extra effects to make the song work.  She can just sing it and believe in it.  That matters.

Liamoo

Yeah, whatever.  I don't believe him.  The choreography was the best part of that number.

Cornelia Jakobs

Finally, something that doesn't sound like Södertälje Fabriken.  Nice song.  

Cazzi Opeia

Doesn't "Cazzi" mean "penises" in Italian?  Or is that the point?  And what's with the clown outfit?

You know what?  She doesn't need all of the tattoos, crazy hair, and odd outfit.  There's a good voice in there somewhere.  For one thing, you can actually hear every single word.  Too bad, the song is insipid.  

Medina

I want to have a drink with them.  And what a fun way to end the finals!


Mellanakt:

Is Oscar Zia making fun of how bad he was as host?

The International Juries

A little surprising.  I like Cornelia but am surprised that they rated Faith Kakembo so low.  Also that a Swedish language song is in third.  It's also a vote against the "same old. same old" Swedish sound.


THE RESULTS:

Wanted Faith to win but am very glad for Cornelia.

What will Europe think? I think she'll get through to the finals.  I don't think it's a winner in its current form. I'd advise her to enunciate the words better so the meaning of the song can come through. It's a feeling many have felt. 


ARE YOU READY SWEDEN?




It is time for the final of  Melodifestivalen.  Of course Radio Free Järbo is here live blogging, giving our large, international audience the benefit of our expert opinion on each of the entries, and tips on how to vote, if you can.  

Sweden is always a top favorite at the Eurovision Song Contest making tonight's final an event of extreme international importance, and a highpoint of the cultural year.  Of course, Sweden wants the best result.  I think other countries in Europe want a real stinker to win.  Ah well,  all we know is, tomorrow a very large number of people in Sweden will be saying:  "Fel låt vann!"


lördag, maj 22, 2021

The Results of the Radio Free Järbo Jury--And how YOU should vote, too!

"OK, now listen up.  THIS is how you are
going to vote.  Got it?"

12 Points:  Netherlands

10 Points:  Portugal

8 Points:  Malta

7 Points: Switzerland

6 Points:  Norway

5 Points:  France

4 Points:  Spain

3 Points:  Belgium

2 Points: Bulgaria

1 Point: Albania

Got it?  Now VOTE!

Det går inte för oss at rösta på Sveriges bidrag. 

Radio Free Järbo's Eurovision Live Blog

"Someone should drop a house on whoever
said you could sing!"


 Read along with us as we comment on the acts, but don't forget to read our report on all of the finalists as well, just below.  Then come back to see how our jury voted and how you should vote. 


Do not believe that Italy won.  Absolutely speechless.


San Marino:  Flo Rida rules this song, which is otherwise banal and vapid.  

Sweden:  He's never done it better.  Hejja Leksand!

Italy:  Ok.  

Netherlands:  Love it.  Love how different it is and his great voice. 

Norway:  Love the song.  Liberace is jealous of that outfit!

Azerbaijan:  We have another winner--but for dumbest lyrics.

France:  WOW!

Ukraine:  Gunnar went for a wee.  I was tapping my foot.

Lithuania:  I want his outfit!  If it was a dance contest, they would win.

Bulgaria:  I loved it.  Gunnar isn't so impressed.

Finland:  It's kind of growing on me, like athlete's foot does.  

Germany:  That was fun!

Moldova: A lot of energy for a crap song.

Spain:  Nailed it.  I'm crying.

Iceland:  Ya.  Whatever. 

Switzerland:  Goosebumps.  

Greece:  Someone please write her a decent song.  Please?

UK:  Like the song but it needed more energy than he gave it tonight.

Serbia:  Here come the lips!

Portugal:  We have another winner. Love it.

Malta:  We have a winner.

Russia:  Only on Eurovision.

Belgium:  Great song.  Could it win?

Israel:  Great performance of a dumb song.

Albania:  Love it.  Even the makeup put on with a spray gun.

Cyprus:  Yuck.   Same stupid shit.

Getting Ready for the Eurovision 2021 Grand Final

 



Get ready for the final!  

I must say, we are shaking our heads here at the Radio Free Järbo Studios over the results of the semifinals.  We are really shocked that a number of really great songs did not make it through (Austria, Estonia, North Macedonia), while a number of bouncy bad songs did make it through (I'm looking at you Cyprus, Israel, Moldova, San Remo, Serbia).  Maybe it is a sing of the times.  Maybe after a year of dealing with viruses, illnesses, deaths, and lockdowns, people just want to take the mask off and dance.  

Here is our rundown of the songs in the Grand Final based on watching the official videos, and the two Semi Finals.  They are presented in running order so you can follow along.  An asterisk ( * ) by the name means we think you should vote for it.  

Be sure to check back here before voting so we can tell you how to vote.  And we'll have the results of the official Radio Free Järbo professional jury!  We'll be live blogging through the show as well.

Cyprus:  There’s a stripper in Los Vegas who wants her dress back!  This hot mess brings “formulaic” to new lows.  How it got through to the final when so many better songs got sent home is beyond me. Was Satan actually voting?  “This is horrible,” Gunnar says.  I think he’s being too kind. 
PS.  Cancel the dress return.  The stripper decided it made her look too cheap.

*Albania:  This song by Anxhela Peristeri has that blend of Eastern and Western music that the Balkans do so well in their ballads.  She has a really nice set of lungs and really does the song proud.  Not sure about the choice of costume, though. 

Israel:  Listening to the song without any video, it came across as about as original as that can of peas I just opened, and less enjoyable.  Gunnar said, “Null points.”  Her stage presence improved it, and I think it was the performance more than the song that got her into the final.

*Belgium:  Hooverphonic brings us a captivating song that stands out because of how interesting it is musically.  Once the song starts, they hold you all the way through.  That makes the abrupt ending more painful.  “The three minute curse.” The lead singer has the right voice for this song and carries it really well. 

Russia:  While we have to admit the staging is engaging and the music far from the Eurovision norm, it doesn’t really speak to us in the end.  Partly because, if you don’t know the language, there isn’t much to get out of a song like this, however much fun they were having on stage.

*Malta:  With a command of the stage that grabs you from the first note, Destiny has our hearts with this really fun song.  She is the perfect vehicle for this music and even makes you forget that, well, she’s not singing the most literary lyrics.  Sometimes we don’t care.  I now blurt out “Je me casse” just for fun.  Favorite part, where she says, “Pardon my French.”   My only regret is that the song she would have competed with in 2020 was even better and would have won.  This one might.  We’ll see.

*Portugal:  It is rare for a Eurovision song to go so bluesy, and it is very welcome in this great tune from Black Mamba.  I like the simplicity of the song, and after seeing the video, was a little afraid it wouldn’t translate to the big stage.  They turned in on in the Semi Final, though and nailed it.  Their presence in the Grand Final is a welcome surprise. 

Serbia:  Say hello to the Serbian Kardashian sisters.  We’re all for mindless drivel on occasion, but this is a bit too mindless.  Frankly, we think those who voted for it, and will vote for it now, are a little “loco loco” themselves. 

*United Kingdom:  More of a “get up and dance” number than the UK normally sends to Eurovision, “Embers” is a welcome change.  I hope he can get the energy on stage that the video has and that he gets the audience at home up and dancing.  The UK normally gets ignored in the voting, even on the rare occasion they send a worthy song. (And this is better than the song he would have had in 2020.)  He won’t win, of course, but he really should place respectably, unless block voting torpedos it.
PS.  If you haven’t seen the BBC’s parody of Line of Duty with James Newman in it, look it up.  If you know the show, it’s hilarious.

Greece:  Probably some of the most interesting staging we’ve seen so far, which is needed, because the song is indecipherable.  My initial notes on hearing it alone (no video) was that someone should take the pen away from whoever wrote it.  She did sell it on the night, though, and that redeemed it some.   I wonder how long it takes her to get in and out of that sequined tight purple number she wears.    

*Switzerland:  Gjon’s Tears was the only solo male balladeer who made it through the second semifinal.   Part of what makes this song so lovely is that his voice matches the beauty of the music.  Something about the combination draws you in from the first note and keeps you with him until the end.  I’m not as big a fan of his voice when he is in the higher registers, though.   

Iceland:  It’s a fun little number for sure, and they can sing, but we’re not among the people who are in love with it.  We’re not sure why bookies are giving it high odds to win.

*Spain:   Spain finally sends a Eurovision entry that doesn’t totally suck! Wow!  No, it doesn’t hurt that he is easy on the eyes, either.  I hope he can channel all of the emotion that is behind the song and make the audience feel it.  If so, even corona-weary Europe will vote for it.

Moldova:  More saccharine than sugar. Great choreography to a dull song.  The video looks like Pee Wee’s Play House was turned into a brothel. 

*Germany:  The video for this song is really cute and very funny.  But the little clip we saw of the stage performance almost seemed as if he were out of breath trying to sing the words that fast, enunciate them (in a second language no less), and do the choreography.  It might not work out on stage, which is too bad. 

Finland:  I guess the “happiest people in the world” like angry hard rock.  We do, too, but don’t find this a particularly good example of the genre. 

*Bulgaria: There is something very likable about this number that I can’t quite put my finger on, and the voters in the second semifinal must have felt it, too to send her on.  She has one of the better female voices, and doesn’t need gimmicks (I'm looking at you, Azerbaijan).  Just good simple singing that tells the story extremely well.

Lithuania:  The song by itself was speechlessly bad and the official video was worse.  The live performance was a actually better, and really had the crowd going, although not us.  Just not a fan of this kind of song.  We are very surprised this went through to the final, but apparently, they have a lot of fans. 

Ukraine:  The Eastern sounding music is quite interesting, but the constant screaming doesn’t enhance it.  “Couldn’t end fast enough,” says Gunnar.

*France:  Very, very, very, very, very French song, and a nice one at that.  I like her voice and her delivery, both of which are perfect for the song. Women balladeers seem to be faring better this year than the men, so she should do well.  In any event, I think the French singers and song writers to whom she pays tribute are being done proud. 

Azerbaijan:  If there were a prize for most banal lyrics, this song would win hands down.  It’s too bad, because the music sounds like it comes from the Caucasus, and that usually lends an appealing quality. But this Ariana Grande knock-off number is of the same quality as the $5 "Gucci" handbags you buy from a blanket on the sidewalk on Canal Street in New York City.  And by the way, when you need all those electronic enhancements to your song, it means your voice is crap.  And your mangey little song, too.
PS:  As the commentator on Swedish TV pointed out, Mata Hari was a Dutch woman acting as a spy for Germany during World War I.  Did Azerbaijan think this one through before presenting the song in Rotterdam?  Nobody tell them and let's see how long it takes for them to figure it out.

*Norway:  Ok, so this song is a little formulaic, too, but there is something very likable about it, even though it’s not a show stopper.   He sang extremely well in the semi, surpassing what he did in the video.  I liked the staging.  The story of why he calls himself “Tix” is worth looking up. 

*The Netherlands:  One of our favorites and is high up on our top 10.  For one thing, it’s unique in the competition for its use of those “rebellious” African rhythms.  We also like his voice.  Watch the video for what would have been his 2020 entry; it shows how good his voice is.  Would it be rude for the host country to win again?

Italy: See Finland.  Ditto, except for the happy people part. 

*Sweden:  Ok, maybe a teensy bit of bias here.  This is not Sweden’s strongest Eurovision entry ever, but it is a solid performance of a solid song, even if it is pretty typical in many ways of the output from Sweden’s Södertälje Factory.  It would have been a national tragedy had he not qualified.  How Tusse showed up in Sweden alone several years ago and now represents it in Eurovision is an amazing story.  And he’s from Leksand!  Gunnar sager, “Mormor skulle säga Sverige är kaput.”  It’s not that bad.

San Marino:  This is not the worst song in the competition (that honor goes to Latvia this year we think), but it is certainly up there.  Without Flo Rida, she would be on her way home by now for sure.  He saved this “ten-a-penny” disaster.   Gunnar says, “What a waste of cute boys."