It's all over now, and we have to wait another year, or so, for Eurovision to come around again. With the Olympics, it's kind of a relief when it's all done. Not so much with Eurovision--well except maybe for the endless process of the voting "parade of nations."
måndag, maj 16, 2022
Eurovision 2022--The ESC Hangover Edition and Radio Free Järbo Awards
söndag, maj 08, 2022
Radio Free Järbo's Eurovision 2022 Commentary
Here is the round up of our opinion of all of the Eurovision 2022 entries. We listened to the official videos for each entry as the basis of our highly qualified opinions. If you disagree, then you’re just wrong. It will be interesting to see how each of the participants does on the big stage itself. An asterisk (*) indicates our Top 10, even though there may not be 10 of them.
🇦🇱Albania
Ronela Hajati “Sekret”
I like the music from the Balkans with (what we think of as) its Eastern rhythms. This song uses them effectively, as it does the catchy beat. But overall, the song is a bit of a hot mess, not even saved by the hot guy in the pretty bazaar video.
🇦🇲Armenia*
Rosa Linn “Snap”
This is a fun, bouncy little pop song, sung by an artist with a nice voice. Even Gunnar liked it. Neither of us felt that the Wizard of Oz inspired video did much for the song, and maybe even detracted from its pleasing simplicity.
🇦🇺Australia*
Sheldon Riley “Not The Same”
Sheldon has the kind of voice that really makes you stop and listen to the words. The meaning of the song is clear and very powerful, even if it is musically a little messy in places. Australia has sent a good one.
🇦🇹Austria
LUM!X feat. Pia Maria “Halo”
I pretty much hated it from the first note. Every now and then it sounds like it just might actually break into a nice dance song, but then it disappoints and turns crappy again. Gunnar says, this shows the problem with “Abba English” lyrics, as “even the Australians” can do better. Other than the snub to Australians, I agree.
🇦🇿Azerbaijan
Nadir Rustamli “Fade To Black”
I kind of liked this nice ballad that Nadir signs well. There is a certain amount of “we’ve heard this before” with the lyrics and music that Nadir manages overcome, at least to some degree. “And he’s cute,” says Gunnar.
🇧🇪Belgium*
Jérémie Makiese “Miss You”
I love this song. It grabs you from the very first moment Jérémie starts to sing and doesn’t let you go until the very last note. Maybe even longer. Great jazzy, bluesy, R&B vibe with a strong heart beat throughout. It’s the complete package. Gunnar says, “I think they sent a winner.”
🇧🇬Bulgaria
Intelligent Music Project “Intention”
I was hoping there would be a really good rock ballad this year. I’m not sure this is it, even if it has a some good points. The drummer is outstanding, as is the guitarist, but the signer isn’t the greatest. A fun listen, nonetheless.
🇭🇷Croatia
Mia Dimšić “Guilty Pleasure”
We liked that the song is simple and it suits her voice well. The lyrics are intelligible, although I wish she would take more time to enunciate them a little better. Twelve points (douze points) for the dancer in the video who stole the show.
🇨🇾Cyprus
Andromache “Ela”
Even though I could not stop tapping my foot to the catchy beat, when it was done, I turned to Gunnar and said, “Haven’t we heard this before?” He said, “I think.” No, we hadn’t actually heard this song before, but it just sounds like we have. Luckily, they’ll have the traditional 12 points from Greece.
🇨🇿Czech Republic
We Are Domi “Lights Off”
I kind of like this song, with its great beat that you can get up and dance to. “It’s a successful song,” says Gunnar. The video makes no sense, but that’s OK. The song does.
🇩🇰Denmark
REDDI “The Show”
What was I saying about a good rock ballad? I really liked the beginning of the song, and was surprised when it morphed into a great rock song. The energy in the song is infectious and made us smile. Gunnar thought the lyrics were a little too repetitious and could have been used better to tell the story, with which I agree, even though I liked the concept of “the show.” We both hope they do well.
🇪🇪Estonia
Stefan “Hope”
I kind of like the song, and then again, I kind of don’t. I’m not sure what the video and the lyrics have to do with each other, even if the video was produced well, and it might be that the watching the video has taken away from what the song really is about. Interesting music and beat, I guess.
🇫🇮Finland
The Rasmus “Jezebel”
When Finland rocks, it rocks. I thought the song was fun and liked the concept. But I found its musical construction a little off-putting. Gunnar says, “Finnish charm playing tigers.” He would like to see less theatre and more honesty, although the theatre may have been in the video and not the song itself.
🇫🇷France
Alvan & Ahez “Fulenn”
Gunnar says, “It’s a train wreck; it’s awful, but you can’t take your eyes off it.” I wished it was as pleasing as a train wreck; especially after the sublime submission France sent last year. Even the cute guy can’t salvage it. France should embrace the influences from the North African community that enrich its culture, but maybe not quite in this way. Too bad, because Breton, the language of the song, has very few speakers and should be preserved.
🇬🇪Georgia
Circus Mircus “Lock Me In”
Gunnar said, “They didn’t use their full three minutes?” I replied, “No, thank God.” The song is different, yes, and has a catchy beat, for sure. But I kept waiting for it to turn into something I could tolerate. It just didn’t.
🇩🇪Germany*
Malik Harris “Rockstars”
It’s funny. The song starts and I was thinking, ‘we’ve heard this before,’ but Malik’s sincerity makes you continue to listen. While not a fan of rap in the middle of a song (either rap the whole thing or not at all), it works here, largely because of the moving message of the lyrics. Gunnar even liked it.
🇬🇷Greece
Amanda Georgiadi Tenfjord “Die Together”
We are not quite sure what to think. I like her voice, but don’t like the phrasing she uses, especially in the beginning. The song builds throughout, which it needs to do to convey its message. I think it is trying to be hopeful, but is still a bit of a downer. Gunnar thinks the lyricist needs psychological help. I say, after these past two years, we all do.
🇮🇸Iceland
Systur “Með Hækkandi Sól”
These are three good singers, with voices that blend perfectly with spot on harmonies. The song itself is not your usual Eurovision fare. Still, I didn’t love it. Gunnar thinks it won’t get a lot of votes.
🇮🇪Ireland
Brooke “That’s Rich”
Ireland decided they were sick of sending great songs that no one voted for, so this year they’ve decided to send total crap to see if they get votes. To this end, someone decided to put banal lyrics to a rejected Erasure backing track and call it “new.” Whatever.
🇮🇱Israel
Michael Ben David “I.M”
Michael is so charming and fun to watch in the video, with all of his great facial expressions, that you overlook the fact that the song—meaningful message and all—is still just one really big hot mess.
🇮🇹Italy
Mahmood & Blanco “Brividi”
Well, this is certainly quite different from last year’s submission from Italy, isn’t it? It is a typical Italian ballad in many ways. Of course, you have to work at it to make Italian sound anything but captivating when sung (with which Måneskin succeeded). I like both voices whether singing independently or when together. Gunnar says this showcases Mahmood’s voice better than his earlier Eurovision entry “Soldi.”
🇱🇻Latvia
Citi Zēni “Eat Your Salad”
Did Latvia send to Eurovision a song written for a children’s show about the benefits of being vegan? That’s how this super high energy song comes across, except for the part about being green being sexy, which wouldn’t be appropriate for young children. And yet, I can’t hate it, much as it left me scratching my head in wonder.
🇱🇹Lithuania
Monika Liu “Sentimentai”
I kind of like Monika’s voice and really like the style of music. But something about this number just doesn’t work for me; it just doesn’t seem to pull together in the end.
🇲🇹Malta*
Emma Muscat “I Am What I Am”
We think Malta has good taste in its entries. We really liked this song that put a smile on our faces. Could you call it trite? Maybe. But it still makes you smile, and its positive message can’t be overdone, especially at Eurovision
🇲🇩Moldova:
Zdob şi Zdub & Frații Advahov “Trenulețul”
It’s too bad there isn’t a prize for best video, because the brilliant official video for this song is really very funny and charming. The song itself needs the video, we think. If they can take all of the energy in the video onto the stage in Torino, they’ll have a chance, though.
🇲🇪Montenegro
Vladana “Breathe”
Vladana has a great voice, and sings in the tradition of the better Balkan entries, where they know how to sing out a ballad. But I think the song itself is just OK. Gunnar says that he respects that they continue to send entries that are true to themselves and their musical traditions. I agree.
🇳🇱Netherlands
S10 “De Diepte”
We liked this interesting song, which matches her voice perfectly. The mood the music sets is haunting and captivating, even if you don’t speak the language of the lyrics. It should do well.
🇲🇰North Macedonia
Andreas “Circles”
Andreas has got a really good voice with good depth and she delivers this decent song well. It won’t win but will add to a good show. The compelling video was really simple and allowed her to just carry the song. Gunnar kind of liked it. North Macedonia has high standards for its entries, and this is no exception.
🇳🇴Norway
Subwoolfer “Give That Wolf A Banana”
I’m a little speechless. Either Norway has gone completely “bananas” or this is a practical joke in order to take the major piss at Eurovision. Yes, the beat is catchy, and is a bit slick. And look, I always say that I want something different. But while others are raving, I’m not sure I like it, even as satire. I prefer substance over gimmicks.
🇵🇱Poland*
Krystian Ochman “River”
This is just the kind of song we needed after listening to Norway. As a trained singer (now there’s a concept) Krystian has a gorgeous, strong voice that he can control. (And he is as easy on the eyes as he is on the ears, but we digress.) Really powerful and enjoyable.
🇵🇹Portugal
MARO “Saudade Saudade”
The beauty of this song is in its simplicity and the quality of the harmonies when they all sing together. The lead singer, unfortunately, is quite weak.
🇷🇴Romania
WRS “Llámame”
It takes skill to sing a Latin dance song so poorly that I absolutely hate it, and here, they have done it. His stage presence ruined the song, which is pretty bad itself, actually. Even the quasi-hunky dancers in all but see through tops couldn’t save the risible production number.
🇸🇲San Marino
Achille Lauro “Stripper”
My vote: Keep your clothes on and your mouth shut. Gunnar: San Marino should have saved their money.
🇷🇸Serbia
Konstrakta “In Corpore Sano”
I’m sure this song means something significant to the Serbians, but even reading the English lyrics, it was indecipherable. Too bad the melody isn’t very pleasant to listen to, because it would make up for the total miss on the words.
🇸🇮Slovenia
LPS “Disko”
Here’s the thing: The song is catchy and the backing musicians are wonderful. The problem is that the lead singer can’t carry it. Let’s hope he has been practicing his stage presence and has been getting vocal coaching leading up to Eurovision. Then it could be really fun.
🇪🇸Spain
Chanel “SloMo”
Before playing this for the first time, I said to Gunnar that the entry from Spain is either “Stop going to Eurovision!” or “They can do it if they try!” This is the former. Calling it vapidly without substance is about the highest praise I can give it. Gunnar says “Formulaic and cheap, and I mean cheap in all ways.” I say, formulaic is probably giving it too much credit.
🇸🇪Sweden
Cornelia Jakobs “Hold Me Closer”
As much as I like the raspiness of her voice, there is just something missing from the whole package here. For one thing, I would have her hold the microphone further from her mouth. The song itself is pleasing enough, but not a knockout compared to many of the other songs here.
🇨🇭Switzerland*
Marius Bear “Boys Do Cry”
I really like the 50’s style beat of this song, with it’s hint of blues in it. Marius has the perfect voice to pull it off as well. The whole package really works here. I loved its charm.
🇺🇦Ukraine
Kalush Orchestra “Stefania”
The people on the stage performing the number had more fun with it than I did. Gunnar said, “Great dance party, but…”. It’s OK to mix musical styles, but it doesn’t work here.
🇬🇧United Kingdom*
Sam Ryder “SPACE MAN”
It almost doesn’t matter what we say about this song; no one in Europe is going to vote for it. The UK is last alphabetically, and often last in points. The video was clever and fun, so it will be interesting to see what he does on stage to replicate the experience of it. That said, I like the song a lot. It deserves some points people, so keep that in mind, OK?
lördag, mars 12, 2022
Live Blogging from Melodifestivalen 2022
Here we go!
Pay close attention people. Our expert opinions won't let you down!
Gunnar: They don't believe in social distancing in Sweden.
DJ David: What is Klara wearing????!!!
Klara Hammarström
What does the crazy outfit have to do with the song? RuPaul just said she wants those shoes. She sang the hell out of it but, it's kind of a boring song with a catchy beat.
Theoz
Is he even old enough to be out this late? The song has really nice energy but isn't really very original.
Anna Bergendahl
I like her voice. The so-so song let her down, but the tanning booth didn't.
John Lundvik
Pretty song.
Tone Sekelius
A high point for human rights for which Sweden should be very proud. Give her a better song next time.
Anders Bagge
Big voice. Big heart. Miniscule song.
Robin Bengtsson
"Take a little sip of the ocean?" Doesn't he know it's a bit salty?
What the song lacks in depth, he makes up for in energy and stage presence.
Faith Kakembo
We like it and LOVE her. She performed the hell out of it. And she doesn't need a lot of extra effects to make the song work. She can just sing it and believe in it. That matters.
Liamoo
Yeah, whatever. I don't believe him. The choreography was the best part of that number.
Cornelia Jakobs
Finally, something that doesn't sound like Södertälje Fabriken. Nice song.
Cazzi Opeia
Doesn't "Cazzi" mean "penises" in Italian? Or is that the point? And what's with the clown outfit?
You know what? She doesn't need all of the tattoos, crazy hair, and odd outfit. There's a good voice in there somewhere. For one thing, you can actually hear every single word. Too bad, the song is insipid.
Medina
I want to have a drink with them. And what a fun way to end the finals!
Mellanakt:
Is Oscar Zia making fun of how bad he was as host?
The International Juries
A little surprising. I like Cornelia but am surprised that they rated Faith Kakembo so low. Also that a Swedish language song is in third. It's also a vote against the "same old. same old" Swedish sound.
THE RESULTS:
Wanted Faith to win but am very glad for Cornelia.
What will Europe think? I think she'll get through to the finals. I don't think it's a winner in its current form. I'd advise her to enunciate the words better so the meaning of the song can come through. It's a feeling many have felt.
ARE YOU READY SWEDEN?
lördag, maj 22, 2021
The Results of the Radio Free Järbo Jury--And how YOU should vote, too!
| "OK, now listen up. THIS is how you are going to vote. Got it?" |
12 Points: Netherlands
10 Points: Portugal
8 Points: Malta
7 Points: Switzerland
6 Points: Norway
5 Points: France
4 Points: Spain
3 Points: Belgium
2 Points: Bulgaria
1 Point: Albania
Got it? Now VOTE!
Det går inte för oss at rösta på Sveriges bidrag.
Radio Free Järbo's Eurovision Live Blog
| "Someone should drop a house on whoever said you could sing!" |
Read along with us as we comment on the acts, but don't forget to read our report on all of the finalists as well, just below. Then come back to see how our jury voted and how you should vote.
Do not believe that Italy won. Absolutely speechless.
San Marino: Flo Rida rules this song, which is otherwise banal and vapid.
Sweden: He's never done it better. Hejja Leksand!
Italy: Ok.
Netherlands: Love it. Love how different it is and his great voice.
Norway: Love the song. Liberace is jealous of that outfit!
Azerbaijan: We have another winner--but for dumbest lyrics.
France: WOW!
Ukraine: Gunnar went for a wee. I was tapping my foot.
Lithuania: I want his outfit! If it was a dance contest, they would win.
Bulgaria: I loved it. Gunnar isn't so impressed.
Finland: It's kind of growing on me, like athlete's foot does.
Germany: That was fun!
Moldova: A lot of energy for a crap song.
Spain: Nailed it. I'm crying.
Iceland: Ya. Whatever.
Switzerland: Goosebumps.
Greece: Someone please write her a decent song. Please?
UK: Like the song but it needed more energy than he gave it tonight.
Serbia: Here come the lips!
Portugal: We have another winner. Love it.
Malta: We have a winner.
Russia: Only on Eurovision.
Belgium: Great song. Could it win?
Israel: Great performance of a dumb song.
Albania: Love it. Even the makeup put on with a spray gun.
Cyprus: Yuck. Same stupid shit.
Getting Ready for the Eurovision 2021 Grand Final
Get ready for the final!
I must say, we are shaking our heads here at the Radio Free Järbo Studios over the results of the semifinals. We are really shocked that a number of really great songs did not make it through (Austria, Estonia, North Macedonia), while a number of bouncy bad songs did make it through (I'm looking at you Cyprus, Israel, Moldova, San Remo, Serbia). Maybe it is a sing of the times. Maybe after a year of dealing with viruses, illnesses, deaths, and lockdowns, people just want to take the mask off and dance.
Here is our rundown of the songs in the Grand Final based on watching the official videos, and the two Semi Finals. They are presented in running order so you can follow along. An asterisk ( * ) by the name means we think you should vote for it.
Be sure to check back here before voting so we can tell you how to vote. And we'll have the results of the official Radio Free Järbo professional jury! We'll be live blogging through the show as well.
Cyprus: There’s a stripper in Los Vegas who wants her dress
back! This hot mess brings “formulaic” to new lows. How it got
through to the final when so many better songs got sent home is beyond me. Was
Satan actually voting? “This is horrible,” Gunnar says. I think
he’s being too kind.
PS. Cancel the dress return. The stripper decided it made
her look too cheap.
*Albania: This song by Anxhela Peristeri has that blend of Eastern and Western music that the Balkans do so well in their ballads. She has a really nice set of lungs and really
does the song proud. Not sure about the
choice of costume, though.
Israel: Listening to the song without any video, it came
across as about as original as that can of peas I just opened, and less
enjoyable. Gunnar said, “Null points.” Her stage presence improved
it, and I think it was the performance more than the song that got her into the
final.
*Belgium: Hooverphonic brings us a captivating song that stands
out because of how interesting it is musically. Once the song starts,
they hold you all the way through. That makes the abrupt ending more
painful. “The three minute curse.” The lead singer has the right voice for this
song and carries it really well.
Russia: While we have to admit the staging is
engaging and the music far from the Eurovision norm, it doesn’t really speak to
us in the end. Partly because, if you
don’t know the language, there isn’t much to get out of a song like this,
however much fun they were having on stage.
*Malta: With a command of the stage that grabs you from the
first note, Destiny has our hearts with this really fun song. She is the
perfect vehicle for this music and even makes you forget that, well, she’s not
singing the most literary lyrics. Sometimes we don’t care. I now
blurt out “Je me casse” just for fun. Favorite part, where she says,
“Pardon my French.” My only regret is that the song she would have
competed with in 2020 was even better and would have won. This one
might. We’ll see.
*Portugal: It is rare for a Eurovision song to go so
bluesy, and it is very welcome in this great tune from Black Mamba. I like the simplicity of the song, and after
seeing the video, was a little afraid it wouldn’t translate to the big
stage. They turned in on in the Semi
Final, though and nailed it. Their
presence in the Grand Final is a welcome surprise.
Serbia: Say hello to the Serbian Kardashian
sisters. We’re all for mindless drivel
on occasion, but this is a bit too mindless.
Frankly, we think those who voted for it, and will vote for it now, are a little “loco loco”
themselves.
*United Kingdom: More of a “get up and dance” number than the
UK normally sends to Eurovision, “Embers” is a welcome change. I hope he can get the energy on stage that
the video has and that he gets the audience at home up and dancing. The UK normally gets ignored in the voting,
even on the rare occasion they send a worthy song. (And this is better than the
song he would have had in 2020.) He
won’t win, of course, but he really should place respectably, unless block voting torpedos it.
PS. If you haven’t seen the BBC’s parody
of Line of Duty with James Newman in it, look it up. If you know the show, it’s hilarious.
Greece: Probably some of the most interesting
staging we’ve seen so far, which is needed, because the song is indecipherable. My initial notes on hearing it alone (no
video) was that someone should take the pen away from whoever wrote it. She did sell it on the night, though, and
that redeemed it some. I wonder how
long it takes her to get in and out of that sequined tight purple number she
wears.
*Switzerland: Gjon’s Tears was the only solo male balladeer who made it through the second semifinal. Part of what makes this song so lovely is that his voice matches the beauty of the music. Something about the combination draws you in from the first note and keeps you with him until the end. I’m not as big a fan of his voice when he is in the higher registers, though.
Iceland: It’s a fun little number for sure, and they can sing, but we’re not among the people who are in love with it. We’re not sure why bookies are giving it high odds to win.
*Spain: Spain
finally sends a Eurovision entry that doesn’t totally suck! Wow! No, it doesn’t hurt that he is easy on the
eyes, either. I hope he can channel all
of the emotion that is behind the song and make the audience feel
it. If so, even corona-weary Europe will vote for it.
Moldova: More saccharine than sugar. Great choreography to a dull song. The video looks like Pee Wee’s Play House was turned into a brothel.
*Germany: The video for this song is really cute and very funny. But the little clip we saw of the stage
performance almost seemed as if he were out of breath trying to sing the words
that fast, enunciate them (in a second language no less), and do the
choreography. It might not work out on stage,
which is too bad.
Finland: I guess the “happiest people in the world”
like angry hard rock. We do, too, but
don’t find this a particularly good example of the genre.
*Bulgaria: There
is something very likable about this number that I can’t quite put my finger
on, and the voters in the second semifinal must have felt it, too to send her
on. She has one of the better female
voices, and doesn’t need gimmicks (I'm looking at you, Azerbaijan). Just
good simple singing that tells the story extremely well.
Lithuania: The song by itself was speechlessly bad and the
official video was worse. The live performance was a actually better, and
really had the crowd going, although not us. Just not a fan of this kind
of song. We are very surprised this went through to the final, but
apparently, they have a lot of fans.
Ukraine: The Eastern sounding music is quite
interesting, but the constant screaming
doesn’t enhance it. “Couldn’t end fast
enough,” says Gunnar.
*France: Very, very, very, very, very French song,
and a nice one at that. I like her
voice and her delivery, both of which are perfect for the song. Women balladeers seem to be faring better
this year than the men, so she should do well.
In any event, I think the French singers and song writers to whom she
pays tribute are being done proud.
Azerbaijan: If there were a prize for most banal lyrics, this song
would win hands down. It’s too bad, because the music sounds like it
comes from the Caucasus, and that usually lends an appealing quality. But this
Ariana Grande knock-off number is of the same quality as the $5
"Gucci" handbags you buy from a blanket on the sidewalk on Canal
Street in New York City. And by the way, when you need all those
electronic enhancements to your song, it means your voice is crap. And
your mangey little song, too.
PS: As the commentator on Swedish TV pointed out, Mata Hari was a Dutch woman acting as a spy for Germany during World War
I. Did Azerbaijan think this one through before presenting the song in
Rotterdam? Nobody tell them and let's see how long it takes for them to
figure it out.
*Norway: Ok, so this song is a little formulaic, too,
but there is something very likable about it, even though it’s not a show
stopper. He sang extremely well in the
semi, surpassing what he did in the video.
I liked the staging. The story of
why he calls himself “Tix” is worth looking up.
*The Netherlands: One of our favorites and is high up on our top
10. For one thing, it’s unique in the
competition for its use of those “rebellious” African rhythms. We also like his voice. Watch the video for what would have been his
2020 entry; it shows how good his voice is.
Would it be rude for the host country to win again?
Italy: See
Finland. Ditto, except for the happy
people part.
*Sweden: Ok, maybe a teensy bit of bias here. This is not Sweden’s strongest Eurovision
entry ever, but it is a solid performance of a solid song, even if it is pretty
typical in many ways of the output from Sweden’s Södertälje Factory. It would have been a national tragedy had he
not qualified. How Tusse showed up in
Sweden alone several years ago and now represents it in Eurovision is an amazing
story. And he’s from Leksand! Gunnar sager, “Mormor skulle säga Sverige är
kaput.” It’s not that bad.
San Marino: This is not the worst song in the competition (that honor goes to Latvia this year we think), but it is certainly up there. Without Flo Rida, she would be on her way home by now for sure. He saved this “ten-a-penny” disaster. Gunnar says, “What a waste of cute boys."




