lördag, maj 17, 2025

 Eurovision 2025--The Grand Final

Here we are live blogging through the Eurovision Grand Final for 2025.  

If you want to see our reaction to every entry (including those that didn't make the finals), scroll down for our rundown and expert opinions.  

Good night folks!  Until next year.  

Final Voting:
So glad for Austria.  But don't let Nemo give you the trophy.  

Really surprising points from the phone vote.  

Only 41 points to Netherlands from the audience????

I can't believe UK got nothing!

Now for the Parade of Nations.

Will 12 points go to Greece from Cyprus?  But of course.

What is the Israeli spokesperson wearing?

12 points from Greece to France because Cyprus isn't in the final.

Love that Sweden was in a sauna.

They should have had Finland try blowing the horn...

And a big Shout Out to our fans in Madison, Wisconsin!

The Results of the Radio Free Järbo Jury:

12           Netherlands

10           Austria

  8           Israel

  7           France

  6           Italy

  5           Sweden

  4           Estonia

  3           San Marion

  2           UK

  1           Greece

 

And there we have it.  Finally over.  Results from the Radio Free Järbo Jury will be announced soon.  

26.  Albania
I’m sure there’s a good singer with a good song in there somewhere.  It’s just a bit tough to find it.

25.  San Marino
How nice of San Marino to salute their neighbor Italy in song.  Hard to image Canada doing this for the US right about now, eh? 

24.  France
A French singer doing what the French do best (outside of patisserie). 

I hope they have heavy duty vacuum cleaners to clear up all of that sand before the last two acts take the stage.

23.  Sweden
Apparently, everyone, including the bookies, thinks this sauna song is really hot.   It’s fun, but to win???

Bra jobbat killar. 

22.  Denmark
I’d dance to it, but I don’t really want to listen to it.  

21.  Portugal
They are pretty good.  Too bad the song is meh.  Good electronic guitarist.

20.  Malta
I don’t know, I think she’s enjoying bouncing on that ball just a little too much…

19.  Switzerland
Nice ballad.  Simple staging may doom her chances, though, even if it's just right for this song.  And I like the use of one single camera take. 

18.  Armenia
Note to ABBA-English song writers: “stay aliver” doesn’t work.  

Look at that muddy torso.  Time for him to hit the showers.  

17.  Greece
Her hair is even longer than Serbia’s! 

Well done.

16.  Germany
Have we met the evening's last place contestant?

Not my cup of apple wine.  Like the cello, though (if it’s real, that is).

15.  Poland
Take the staging away and it isn’t much here.  (There’s a lot of that this year.)

Maybe she'll fly away so she can't finish the song.  Oh rats, they brought her back to the stage.

14.  Italy
I find I like this song better each time I hear it.  Love the harmonica.

On the other hand, I hate the outfit (a bumble bee on LSD) and white face paint more each time I see them. 

13.  Finland
Not a fan of this song, even if it is impossible not to watch her.  Can someone please explain what the sparks coming out of the end of microphone mean?  

I was surprised this song with its thinly veiled (if veiled at all) sexual innuendo made it to the final, and yet Milkshake Man (Australia) didn’t.  Do, gasp, straight men vote in Eurovision?

12.  Netherlands
He seems to be having the time of his life and his smile is infectious.   This is in our top five.  Love his voice.

11.  Latvia
Gunnar says:  "This makes three minutes seem so long." 

I love the harmony.  Don’t like the song.  Loathe the costumes.   The head pieces look like something a Great British Baking show contestant made out of isomalt--then through away.


The hosts:  Don't French kiss a Swiss.

11.  Latvia
Love the harmony.  Don’t like the song.  Loathe the costumes. 

10.  Iceland
So, if the song is about rowing a boat, why are they wearing space suits? 

The fiddle is the best bit. 

 9.  Austria
You can tell he’s classically trained.  

I've heard countertenor singing is harder than other voices.  I just wish you could hear the lyrics better when he’s singing in the higher ranges.   Interesting staging.  

I do like it better with the live performance.

8.  United Kingdom
Gunnar hates it.  I like it—putting music to the walk of shame, but without the tell-tale smeared makeup or stained trousers.

7.  Ukraine
There are some nice moments, but there are also many bad ones.   Nice guitar solo, though.

Nominee for worst dressed.

6.  Spain
Yup.  Typical Spain.  It’s all about the staging, and the staging is good--far superior to the song itself.

5.  Lithuania
Seeing their live performance only confirms my earlier impression—they’re not bad a rock band but they need better material.   Really like the drummer.

4.  Israel
She did really well.

I know some call Israel's participation controversial.  Whichever way you feel, you can’t deny this song is beautiful and she can sing.  She said she rehearsed with background noise to be ready for some booing.  

3.  Estonia
I have been laughing my way through this one, the overuse of Italian stereotypes aside (which he says was done with respect) and the very dumb lyrics.  Lots of energy.  Here’s someone who doesn’t believe in decaf.

2.  Luxembourg
The song title means “The doll turned up the volume.”  Were I the doll, however, I would have turned the volume down on this one—way down.

1.  Norway
“Who wrote this?” Gunnar just screamed.  “What is he wearing,” I just screamed.  Without the pyrotechnics, the song doesn’t stand up to much.  And we’ve heard this before, more or less.

Nemo is singing now.  I didn't like the song much last year and it's not better with him in a wedding dress. 




onsdag, maj 14, 2025

Eurovision 2025--Our expert opinion on every entry



                               The Radio Free Järbo Jury are ready to pass judement.  


It’s that time again.


We watched the official videos as posted on the Eurovision website.  We tried to just listen to the song and not be too swayed by the visuals of the videos.  In some cases, however, the video gives more of a hint of what the song is about, especially if it is not in English, and even then.  Here is what we think of every entry.  We’ll give a summary of our thoughts on the semi-finals once they’ve happened.  


 Albania. Shkodra Elektronike.  “Zjerm”

I am normally a big fan of the Albanian entries in Eurovision.  Like this entry, they use musical motifs that are from their own culture, and that helps to make Eurovision interesting.  But this is not my favourite of their recent entries.  It doesn’t really seem to gel as a whole, at least on its first listen.  I do like some of the background music, however. 


  Armenia.  Parg.  “Survivor”

He is a treat for the eyes.  The song is an assault to the ears.

Nominee:  Best Looking Guy.


 Australia.  Go-Jo.  “Milkshake Man”

Leave it to Australia to break the mold. I don’t know if I like the song or not, but I did laugh all the way through the video.  He is lecherously good looking, and I like his moves in the video, so it will be interesting to see what he does on the stage.  And, I am sure there is a double entendre intended in the lyrics.  

Nominee:  Best Looking Guy.


 Austria.  JJ.  “Wasted Love”

I want to say something nice about it, so I’ll say nice voice.  But the song does’t work for me.  It builds to a grand finale, but by then, I don’t care.  


  Azerbaijan.  Mamagama.  “Run with U”

Ok, these are not the most original or thoughtful lyrics, but the song has a really catchy beat that make people want to get up and dance.  The video is hilarious, even if the connection to what the song is about isn’t really clear.  

Nominee:  Best Video


 Belgium.  Red Sebatian.  “Strobe Lights”

Based on the bio online, this artist has a lot of musical education and talent.  So it is a bit of a head scratcher that the song he was given does not allow him to show it off.  Just a bit too electrical for my taste.  With a good voice and a good song you don’t need all of that—unless you are doing 80’s disco.


 Croatia.   Marko Bošnjak.  “Poison Cake”

I’d rather eat poison cake than listen to this mess again.


 Cyprus.  Theo Evan.  “Shh.”

It has been a while since we’ve liked an entry from Cyprus.  Clearly he’s a talented guy, but the song is just so-so.  

Nominee:  Best Looking Guy.


 Czechia.  Adonxs.  “Kiss Kiss Goodbye.”

There is something about this song that grabs you and makes you want to listen to it, even if I’m not a big fan of the electro pop bridge.  I like his voice very much, enough so that I wish the song were a little more solid. 


 Denmark.  Sissal.  “Hallucination”

Without having looked to see that this was the entry from Denmark, one would know this was from Scandinavia.  It’s an OK song which Sissal sings the hell out of.  It will get decent middle of the pack placement.  


 Estonia.  Tommy Cash.  “Espresso Macchiato”

What a fun and funny song.  What it lacks in musicality and meaningful lyrics, it more than compensates with how much fun it is.  I hope they can do something on stage as creative as the video.  I’m not sure I would expect dodici punti from Italy, though.


 Finland.  Erika Vikman.  “Ich Komme”

Didn’t understand it.  Didn’t like it.

Nominee:  Best Dominatrix.


 France.  Louane.  “Maman”

You can (usually) count on the French to send a real singer with a real song to Eurovision.  The French can do a ballad really well, and this is a very nice one.  I fear Europe will hate it and not give the song its due.  


 Georgia.  Mariam Shengelia.  “Freedom”

Mixed emotions.  I really like the way she sings, but the song is a little all over the map musically in a way that doesn’t hang together for me.  There are several very good passages in the music which she handles really well, then it changes modes again and, while she always sings well, the song just doesn’t gel into a whole.


 Germany.  Abor & Tynna.  “Baller”

It takes more than energy to make a good song.  Energy is all this entry had.  I hated it.


 Greece.   Klavdia.  “Asteromáta”

We’re always suckers for a Balkan ballad, and Klavdia delivers with this beautiful song.  I like the Eastern sound in the music and in her delivery of it.  Well done, Greece. 


 Iceland.  VÆB.  “RÓA”

Another song with a very catchy beat and not much else, although I can get behind the idea of rowing out to see “the stars are bright.”  I hope they wear those glasses on the stage when they perform live.  Interesting that the video features the flags of Greenland and the Faroe Islands.  


 Ireland.  Emmy.  “Laika Party”

Normally, we would really get behind a song about Laika, the space dog, being alive and well and having a party up there in the sky, just maybe not this one.  It’s the kind of song you would gladly dance to after one too many cosmopolitans at Sunday tea dance, but it isn’t something you want to listen to over and over again.  I’m also not a huge fan of her voice, although this is the right kind of song for it.


 Israel.  Yuval Raphael.  “New Day Will Rise”

We really like this very beautiful song, simple, and simply done by this very talented singer.  New Yorkers will notice the chandelier from Leonard’s of Great Neck in the video.


 Italy.  Lucio Corsi.  “Volevo Essere Un Duro”

Full disclosure:  We watched the San Remo festival and Lucio Corsi was not our favourite.  But hearing it again, there is something about the song that we like now.  I think it has a chance to do well.  Absolutely the best video of the bunch—really hilarious.  

Winner: Best Video.


 Latvia.  Tautumeitas.  “Bur Man Laimi”

I think there is a place to mix traditional tunes with modern music, but in this case, it doesn’t make something I want to listen to.  Very nice harmony and vocal blending by the singers, though.  


 Lithuania.  Katarsis. “Tavo Aky” 

You know we like a good rock song, and this one is rather interesting and there is something engaging about it.  But we are not fans of the lead singer in this case.  There are times when you think he’s flat and others when his voice works.  The drummer is good.


 Luxembourg.  Laura Thorn.  “La Poupée Monte Le Son”

Given the name of the song and how she is dressed in the video, we wanted to hate it.  But there is something about the catchy beat and the dancers that actually make this fun to watch.  I hope she does the “costume”change on stage. 


 Malta.  Miriana Conte. “Serving”

Well, another case of an artist that we like, but a song that we are less fond of.  There is a nice energy in the video that should work well on the stage.  I hope she wears the Coke can hair rollers on stage. 


 Montenegro.  Nina Žižić.  “Dobrodošli”

Every year we hope there is a good ballad from Montenegro or North Macedonia.  This is it for 2025.  It is a really nice song which she sings really well.  She doesn’t need pyrotechnics or other gimmicks—just park her on the stage and let her go.  The song does seem to end rather abruptly, though.  


 Netherlands.  Claude “C’est la Vie”

While I really, really like his voice, I only really like the song.  It is a catchy tune for sure, and is not standard Eurovision fare.  It’s the kind of thing you’ll find yourself humming.  Although there were moments I thought Gloria Gaynor was going to break in singing “I Will Survive.”  


 Norway.  Kyle Alessandro.  “Lighter”

This is pretty standard Eurovision fare, and while not dreadful per se, it isn’t very good either.  For one thing, I am sure that beat track has been used in the past on several other Eurovision entries.  He performs it well in the video, but he’ll need to turn that into a decent stage presence.  If so, he’ll have the audience’s attention (just not mine).


 Poland.  Justyna Steczkowska.  “Gaja”

Based on the video, which was a filmed stage version, this entry is all about the full production of it—the great dancing, her flying above the crowd on ropes, etc.—and not so much (if at all) about the music or the singing.


 Portugal.  Napa.  “Deslocado”

Well, it was OK. I had higher hopes after reading about their musical influences.  Yes, you could hear the element of the Beatles as mentioned in their online bio, but, the song isn’t as strong as even the weakest Beatles tune.


 San Marino.  Gabry Ponte.  “Tutta l’Italia”

It’s been a long while since a Eurovision entry from San Marino hasn’t made us want to projectile vomit (like since 2014).  This one broke that streak!  It’s a fun song with a lot of bounce to it.  Not the best in the bunch, but hey, we kept our dinner down.  That’s a start!

Nominee:  Best Use of Tomato Sauce in a Video


 Serbia.  Princ.  “Mila”

Handsome man with a gorgeous voice singing a beautiful song—what’s not to like.  OK, maybe it is a bit typical of what the Balkans send to Eurovision, but as we said above, a good Balkan ballad is always welcome to us.  As is a handsome man.

Nominee: Best Looking Guy.

Nominee: Longest hair.


 Slovenia.  Klemen.  “How Much Time Do We Have Left”

I love this song.  It’s meaningful and melodic, with the beauty in its simplicity.  Maybe it could be improved with a stronger voice, but that just might be the quality of the video.  


 Spain.  Melody.  “Esa Diva”

It’s from Spain so we were prepared to hate it—but we didn’t.  Melody has a good voice, even if this trite song lets her down a little.  As with other entries from Spain, if she can deliver with a strong production on the stage, she’ll do well.  


 Sweden.  KAJ.  “Bara Bada Bastu”

So, what is Sweden’s strategy here?  With all of the talented singers in Sweden, why don’t they send actual Swedes to Eurovision?   Last year, they sent two Norwegian brothers to Eurovision because they won Melodifestivalen.  This year, it’s three guys from Finland, who at least sing in Swedish (sort of).  They just beat out Måns Zelmerlöw who won Eurovision in 2015.  OK, it’s fun and the dancing is as good as the music allows.  But it’s not a winner, as much as Sweden wants the record for the most Eurovision wins.

Nominee: Best Use of Towels and Birch Branches in a Video


 Switzerland.  Zoë Më.  “Voyage”

Every now and then you just want to have a simple, pretty song.  This is one and it is pleasant to listen to.  I am not the biggest fan of her voice, or at least as it comes out in this song.  I think the simplicity could get lost on the big stage.  And, it could hardly be more different than last year’s winning entry.


 Ukraine.  Ziferblat. “Bird of Pray”

There are parts of this song I really like, the clever use of traditional music, the good harmonies,  and the soprano descant, for example.  But there are parts of it I hate, like the disjointedness of it all.  Another good drummer, though.  


 United Kingdom.  Remember Monday.  “What the Hell Just Happened?”

“Totally forgettable,” Gunnar says, but I liked it.  The song is fun, and talks about the kind of night we’ve all had, only maybe we don’t remember it as fondly as these three.  I really like the way they harmonize.  It is good enough for the UK not to get totally snubbed again, as in “null points”? 

måndag, maj 06, 2024


The Raido Free Järbo Expert's Guide to Eurovision 2024

"My career is over.  Radio Free Järbo just endorsed me for Eurovision!"

So, here it is.  The annual Radio Free Järbo Eurovision run down.  This is the time of year when the Eurovision participants check our blog to make sure we haven't put them at the top of our list, because, a vote from us is apparently the kiss of death.  In all of the years we've been doing this, we seem to be way out of touch with the rest of Eurovision fandom, and never pick the winner.   So be it; we still think we're right.

The starred entries are the ones you like, so now you know how to vote.  

*Albania
Besa. “Titan”
Although there is nothing really new in this song, there is something very catchy about it, which, when it picks up is very danceable.  However, we miss the Balkan influence that Albania typically has in its entries, and which is refreshing.

Armenia

Ladaniva.  “Jacko”

The song itself has pleasing middle eastern tones in it, but it is the video that makes it.  We are afraid the energy, color, and meaning of the video will be hard to pull off on the grand stage.  And the subtitles, explaining the true meaning of the song, certainly help and might be needed.


*Australia

Electric Fields. “One Mikali”

Drunk at last call in a dance club, I certainly would dance to it.  Otherwise, I could frankly live without it.  Gunnar disagrees, “It might be one of the better ones!”  (Although I suspect that comment is born of cynicism about this year’s field.). At least the lyrics are important in today’s world.  


Austria

Kaleen.  “We Will Rave”

Not in the least original or listenable, no one is our house is raving about this unoriginal bore.  “Even the cute boys in the video couldn’t save it,” says Gunnar.  Indeed.  The Bruce Webber inspired video doubles as soft core porn.  


Azerbaijan

Fahree featuring Ilkin Dovlatov.  “Özünlə Apar”

What a beautiful voice he has which is perfect for this interesting blend of pop and middle eastern music.  The beat keeps it moving but the singing keeps you engaged.  Love the way the strings are used.  The only criticism is that the music at times drowns out the singing, but that may be a stylistic thing.


Belgium

Mustii.   “Before the Party’s Over”

It’s funny, I want to like the song but just can’t.  It’s one of those songs that has really nice moments where you think a good song is going to break through, but it never quite does so.  If he is as scantily clad at Eurovision as he is in the video, he might get the “cute boy” vote. Tied with Austria for the video closest to soft core porn.  


Croatia

Baby Lasagna.  “Rim Tim Tagi Dim”

There is nothing wrong with a song that relies heavily on the energy.  At least the lyrics tell a nice story.  My issue with it is that it is someone yelling over loud rock music, even if good rock music, rather than singing to it.  It’s just not a style I like; I know others do.


Cyprus

Silia Apsis.  “Liar”

Nothing new, unique, or terribly interesting in this song.  It could have been an entry from any country from the past 10 years or so.  If this were a dance contest, she’d be up there.


Czechia

Aiko.  “Pedestal”

While I like the idea conveyed by the lyrics (such as they are), I don’t like the music or her voice, even though it should carry over the large stage.


Denmark

Saba.  “Sand”

Well, this could have been pretty much any Scandinavian entry from the past 10 years.  Too bad, because her voice deserves a better song to sing.


Estonia

5MIINUST x Puuluup.  “(nendest) narkootikumidest ei tea me (küll) midagi”

Normally Estonia sends beautifully songs by very good singers to Eurovision, but this year they are taking a page out of Finland’s book and sending something very unique.  We know they are having a lot of fun in the video; doing what, we are not quite sure  It is a fun song to listen to nonetheless.  


*Finland

Windows95man.  “No Rules!”

What was I just saying about Finland?  “No Rules” seems to describe the country’s approach to their Eurovision entires.  That said, this is a fun song and the video of them performing it on stage is a joy to watch.  It will bring the house down in Malmo for sure.  And I pity whoever goes after them.


*France

Slimane.  “Mon Amour”

What a gorgeous song and what a gorgeous voice of which Slimane  is in full control.  OK, the song is VERY French sounding, but in the best way.  It feels like Silmane is channeling all of the great French singers before him and belting out a tribute to them, as well as everyone who’s had their heart broken.  The juries should like it; Europe will hate it.  (Hey, Slimane.  Marco Mengoni wants the vest you wore in the video when you’re done with it.)


Georgia

Nuts Buzaladze. “Firefighter”

Copy what I said about Cyprus above and paste it here.


*Germany

Isaak.  “Always on the Run”

While there is a typical Eurovision-y sound to it, his voice carries the song off very nicely.  We like it.


Greece

Marina Satti.  “Zari”

All I’m going to say is “There’s not enough ouzo in the world…”


Iceland

Hera Bjork. “Scared of Heights”

Maybe not the best song in the bunch, and no where near as good as her hit “Je ne sais quoi.” It is nice that the lyrics actually make sense (i.e. it’s not “Abba English”).  Her voice is right for it, but, at least in the video, she seems to have stage fright.  She’ll need to sell it and sell it big to make it work in a large venue and across the television lines.


Ireland

Bambie Thug.  “Doomsday Blue”

Tired of sending good songs that Europe ignores, Ireland is extracting its revenge on Europe with this entry.  There’s a good song in there somewhere that has been overwhelmed with the generational angst that probably doesn’t speak to my generation.  Hopefully it speaks to others.  It’s original, even if a cautionary tale for me in wanting something original.  The video looks like Tim Burton did it while on a very bad trip from psychedelic mushrooms.


Israel

Eden Golan.  “Hurricane”

I’m not sure the mandated change of lyrics hide what this song is really about.  It is unclear as I write this that Eden will go or should go to Sweden.  It’s too bad the politics of the situation will be at play here.  She’s got one of the nicest voices in the group this year, even if she’s been given only an OK song, and not a great one.  


Italy

Angelina Mango. “La Noia”

We kind of like her voice and a there’s not doubt that she’s a very good entertainer.  For all its energy, the song doesn’t quite work for us.  


Latvia

Dons.  “Hollow”

I’m not sure I like it, but I’m sure I don’t hate it.  I do like his voice.  Gunnar says it is one of the better ones, but with a tone of voice that indicates the bar is low this year. 


Lithuania

Silvester Belt.  “Luktelk”

Not fans of this one.  His voice just isn’t good enough or strong enough to compete with the the percussion and electronic elements, on which the song is also too dependent.


Luxembourg

Tali.  “Fighter”

Welcome back, Luxembourg!  After more than 30 years it would be nice to see Luxembourg make it through to the finals.  This song is an interesting mixture of a traditional French ballad with a little Latin beat for good measure.  I’m not sure it fully gels, though.  I do like her voice and wish she had better material with which to show it off.  


Malta

Sarah Bonnici.  “Loop”

If the competition was about having the most costume changes in a three minute video, she’d win. But this is supposedly a song contest, and she’s competing with a song that is a waste of a good three minutes.  


Moldova

Natalia Barbu.  “In the Middle”

I’m sure this song is meaningful at home in Moldova, but we don’t think it will say much outside of it. 


Netherlands

Joost Klein.  “Europapa” 

We’re not quite certain what this song is really about, even after reading the lyrics in English.  We will say that it takes courage to get up literally in front of Europe and make fun of it.  


Norway

Gåte.  “Ulveham”

These are clearly talented rockers and the song here isn’t bad either.  But it relies a little too much on her screaming and not so much singing the lyrics.  Europe will lap it up.  


Poland

Luna.  “The Tower”

I’m sorry, folks.  There are so many bad songs this year, I’m running out of derogatory things to say.  Mess of a song, pretty much sums it up.


*Portugal

Iolanda.   “Grito”

I think that her voice is beautiful and the song itself is captivating.  We hope they can work on the balance between her voice and the accompanying music so the quality of her singing can really come through.  


San Marino

Megara.  “11:11”

An only mildly entertaining hot mess.


Serbia

Teya Dora.  “Ramona”

She’s got a lovely voice which fits the style of music.  I like the plaintive tones in it, and in places the music is lovely.  But in the end, the whole is less than the sum of its parts.


Slovenia

Raiven.  “Veronika”

“Veronika” means sees the truth.  So here’s the truth we see in this song: it’s crap.


Spain

Nebulossa.  “Zorra”

Well, it was Spain’s entry, so it could have been worse.  Nice message and catchy beat but not a show stopper.  


Sweden

Marcus and Martinus.  “Unforgettable”

“She” might be unforgettable, but this song isn’t.  I think they rely too much on the backing music so that you don’t hear them singing that much.  (“That’s a good thing,” Gunnar says.) Clearly coming from the factory in Södertälje, Sweden that churns out pop songs faster than Nusnäs churn out Dalahästar, this otherwise formulaic—albeit danceable—song stands out  only because it is competing in weak field.


Switzerland

Nemo.  “The Code”

Not really sure what the song is about, even after reading though the lyrics.  I do kind of like it nonetheless.  It will be interesting to see what it looks like on the stage, given the interesting video.


Ukraine

Alyona Altona and Jerry Heil.  “Teresa & Maria”

There are some pretty moments in the music of this number, but it seems to be disjointed.  And rap doesn’t work unless you know the language, even if we were impressed with how rapidly she said what she said. 


*United Kingdom

Olly Alexander.  “Dizzy”

Olly brings a very catchy tune with hints of Erasure that makes you want to get up and dance to it.  He sings it well, and it’s a real of ear worm (don't listen to it before bed or you'll dream of it).  Too bad that it is very rare for the UK to get noticed at Eurovision, he’ll at least get some points though, we predict.